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The Who posters

The Who
The Who Fabric Poster
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The Who in Concert
The Who in Concert Art Print
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The Who- Pete Townshend and  Keith Moon 1972
The Who- Pete Townshend and Keith Moon 1972 Masterprint
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The Who 1973
The Who 1973 Masterprint
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The Who 1971
The Who 1971 Photo
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The Who-Keith Moon 1966
The Who-Keith Moon 1966 Photo
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The Who- Pete Townshend
The Who- Pete Townshend Masterprint
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The Who 1975
The Who 1975 Photo
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The Who-Pete Townsend  Swing Studio 1966
The Who-Pete Townsend Swing Studio 1966 Photo
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The Who-Pete Townshend
The Who-Pete Townshend Photo
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The Who 1974
The Who 1974 Photo
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The Who-Pete Townshend
The Who-Pete Townshend Photo
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The Who  1970
The Who 1970 Photo
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The Who-Keith Moon 1975
The Who-Keith Moon 1975 Photo
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The Who II 1979
The Who II 1979 Photo
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The Who -Pete Townshend 2006
The Who -Pete Townshend 2006 Photo
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The Who II 1980
The Who II 1980 Photo
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The Who 1979
The Who 1979 Photo
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The Who Live 1981
The Who Live 1981 Photo
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The Who It's Hard 1982
The Who It's Hard 1982 Photo
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The Who -Roger Daltrey 1966
The Who -Roger Daltrey 1966 Photo
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The Who -Pete Townshend 1969
The Who -Pete Townshend 1969 Photo
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The Who -Pete Townshend and  Roger Daltrey  2006
The Who -Pete Townshend and Roger Daltrey 2006 Photo
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The Who -Lights 1975
The Who -Lights 1975 Photo
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The Who -Pete Townshend 1980
The Who -Pete Townshend 1980 Photo
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The Who -Keith Moon's Last Farewell 1978
The Who -Keith Moon's Last Farewell 1978 Photo
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The Who
The Who Photo
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The Who -Pete Townshend
The Who -Pete Townshend Photo
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The Who -High Numbers 1965
The Who -High Numbers 1965 Photo
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The Who-Paris 1965
The Who-Paris 1965 Photo
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The Who: Keith Moon, 1975
The Who: Keith Moon, 1975 Giclee Print
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The Who: Roger Daltrey with Pete Townshend, 1974
The Who: Roger Daltrey with Pete Townshend, 1974 Giclee Print
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The Who
The Who Photographic Print
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The Who- Elvis For Everyone 1964
The Who- Elvis For Everyone 1964 Wood Sign
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The Who 1970
The Who 1970 Wood Sign
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The Who 1971
The Who 1971 Wood Sign
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The Who: Lily Drums, 1966
The Who: Lily Drums, 1966 Giclee Print
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The Who 1973
The Who 1973 Wood Sign
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The Who: Duke of York's, 1965
The Who: Duke of York's, 1965 Photographic Print
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The Who: Complete Silence, 1975
The Who: Complete Silence, 1975 Photographic Print
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Life Through the Sixtees
Life Through the Sixtees Photographic Print
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The Who, 1964
The Who, 1964 Giclee Print
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The Who: The City, 1964
The Who: The City, 1964 Giclee Print
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The Who: Keith's Rolls Royce, 1975
The Who: Keith's Rolls Royce, 1975 Giclee Print
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The Who- Elvis For Everyone 1964
The Who- Elvis For Everyone 1964 Photo
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The Who 1976
The Who 1976 Photo
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The Who 1978
The Who 1978 Photo
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The Who-Pete Townshend and Keith Moon 1972
The Who-Pete Townshend and Keith Moon 1972 Photo
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The Who-Roger Daltrey and  John  Entwistle 1971
The Who-Roger Daltrey and John Entwistle 1971 Photo
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Pete and John, school friends who decided to try their luck in several London amateur skiffle bands, like the Confederates, the group who was founded in the late 50's. A few years later thery were in the Aristocrats and the Scorpions (nothing with the extremly popular band of the same name), mainly instrumental groups.

At the beginning of the next decade, both joined a band called The Detours, a group led by singer Colin Dawson where was also a boy named Roger Daltrey, who played lead guitar. Daltrey said Entwistle capacity in the Scorpios and invited John to join the group as bassist. John recommended his friend Pete as rhythm guitarist. Shortly after joining Townshend and Entwistle, Dawson left the group, replacing it Daltrey vocal tasks. At that time, Pete was assigned the position of lead guitar.

As The Who and the representation of Helmut Gordon, begin to gain a foothold in the London clubs playing a strong R & B that is received with enthusiasm by its growing number of followers, who admired its strong musical procedures and force detached in its concerts. In one, held at the Marquee, Pete Townshend smashed a guitar randomly, causing the audience an explosion of euphoria.

This fact later became the house brand of the Who, with violent actions in which the guitarist broke and viciously beat their instruments on the floor, playing guitar while jumping rope shaking arm swirling. Keith Moon tore the battery kicks and Roger Daltrey swung his microphone dramatically. A good show that Entwistle could see his masterly playing under almost motionless. One such action was contemplated with enthusiasm by Pete Meaden, a collaborator of Andrew L. Gordon Oldham who hired a publicist, to become his manager briefly and one of the main drivers of the group's career in London.

Meaden first thing he did was change their name. Be called from now on The High Numbers. Meaden also grooming them to become the image mods. In July 1964 reads "I'm the Face / Zoot Suit", his first single with two splendid tracks written in his own mods Meaden, who put the band in the hands of the duo Kit Lambert and Chris Stamp, true creators of the popular aggrandizement of the band, offering advice on aesthetics and sounds that could grant the commercial prominence, advice they dutifully fulfilled if they were allowed only one desire: to return to be known as The Who.

Again with his previous name, the Who began working with producer Shel Talmy and engineer Glyn Johns on Decca, recording a Townshend composition entitled "I Can not Explain", a single released on January 15, 1965. Talmy brought to the recording session musician Jimmy Page, but after listening to Pete playing guitar, Page finished playing the rhythm and the Ivy League members of the chorus. At first the single, first published as The Who, went unnoticed in record stores but after the band's appearance on the popular TV show "Ready Steady Go" everything changed.

The audience of millions of television broadcast with her mouth fell open when his devastating live performance, the group broke their instruments. Rarely seen live and on television as violent musical demonstration. This event gave them wide publicity among younger people, which was launched to buy the single, getting that "I Can not Explain" reached number 8 on the UK charts.

This success was repeated in the same year with songs like "Anyway, Anyhow, Anywhere" (number 10), consisting of Pete and Roger, or the generational anthem "My Generation" (number 2). In December of 1965 posted their first LP, "The Who Sings My Generation" (1965), an album which was an indication the trend for the R & B and rhythmic pills mod-pop styles, highlighted by his virtuosity and instrumental and vocal strength. The album reached the top 5 on the list of best-selling LPs in Britain.
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